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by Sharyl Attkisson

I’ve done quite a bit of reporting about how Wikipedia is definitely not “the encyclopedia anyone can edit.” It’s become a vehicle for special interests to control information. Agenda editors are able to prevent or revert edits and sourcing on selected issues and people in order to control the narrative.

Watch Sharyl Attkisson’s TedX talk on Wikipedia and other Astroturf tools

My own battle with Wikipedia included being unable to correct provably false facts such as incorrect job history, incorrect birth place and incorrect birth date.

What’s worse is that agenda editors related to pharmaceutical interests and the partisan blog Media Matters control my Wikipedia biographical page, making sure that slanted or false information stays on it. For example, they falsely refer to my reporting as “anti-vaccine,” and imply my reporting on the topic has been discredited. In fact, my vaccine and medical reporting has been recognized by top national journalism awards organizations, and has even been cited as a source in a peer-reviewed scientific publication. However, anyone who tries to edit this factual context and footnotes onto my page finds it is quickly removed.

What persists on my page, however, are sources that are supposedly disallowed by Wikipedia’s policies. They include citations by Media Matters, with no disclosure that it’s a partisan blog.

Another entity quoted on my Wikipedia biographical page to disparage my work is the vaccine industry’s Dr. Paul Offit. But there’s no mention of the lawsuits filed against Offit for libel (one prompted him to apologize and correct his book), or the fact that he provided false information about his work and my reporting to the Orange County Register, which later corrected its article. Obviously, these facts would normally make Offit an unreliable source, but for Wikipedia, he’s presented as if an unconflicted expert. In fact, Wikipedia doesn’t even mention that’s Offit is a vaccine industry insider who’s made millions of dollars off of vaccines.

Meantime, turn to Dr. Offit’s own Wikipedia biography and– at last look– it also omitted all mention of his countless controversies. Instead, it’s written like a promotional resume– in violation of Wikipedia’s supposed politics on neutrality.

Watch Sharyl Attkisson’s TedX talk on Fake News

These biographies are just two examples of ones that blatantly violate Wikipedia’s strict rules, yet they are set in stone. The powerful interests that “watch” and control the pages make sure Offit’s background is whitewashed and that mine is subtly tarnished. They will revert or change any edits that attempt to correct the record.

This, in a nutshell, exemplifies Wikipedia’s problems across the platform as described by its co-founder Larry Sanger.

Watch “Wikipedia: The Dark Side,” a Full Measure investigation

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by Jacqueline

Netflix will be launching an LGBTQ-themed superhero show featuring cross-dressers titled “Super Drags” later this year.

The popular streaming platform shared a preview trailer of the new cartoon series on Twitter Thursday writing: “They’re here, they’re queer, and they’re going to save the world. Super Drags, a new animated series coming soon.”

There comes a time when enough is enough, and for our household, that time is now! The cartoon will feature homosexual “superheroes” who dress like the opposite gender.

Apparently, instead of responding to consumer concerns about their programming, Netflix has continued a heightened assault on life and the family.

In the beginning of July, they hosted  Michelle Wolf’s “Salute to Abortion,” a disgusting, vile, and insensitive “comedy” piece that glorifies abortion. At the end of the clip, Wolf blasphemously declares “God bless abortions and God bless America!”

“If women embrace the fact that they control life, that makes it a lot harder for men to control women.” ~Michelle Wolf

Netflix has also come under fire for renewing another season of its controversial show about suicide called ’13 Reasons Why’ even as the national suicide rate spikes.

And that isn’t all! Netflix’s recently released an Argentinian movie called Desire that critics say contains blatant child pornography. Despite concerns from critics and subscribers, they have refused to remove the movie from their site.

I just saw the teaser trailer for Netflix’s new cartoon series “Super Drags.”

According to LifeSite News, “The five-episode series is the brainchild of Anderson Mahanski, Fernando Mendonça, and Paulo Lescaut of Brazilian animation studio Combo Studios, the Brazilian website CosmoNerd reports.

“We are thrilled that our first Brazilian animation will present our audiences with the daring, scandalous and fabulous world of Super Drags!” Director of original international content Chris Sanagustin said according to Animation Magazine. “Netflix’s fortunate to invest in great animation talent from Brazil, bringing the vibrant trait of Combo and the acidic mood of our producers to the beautiful and the canvases from every corner.”

Pushing This To 190 Countries

“Thanks to Netflix, we can take the Brazilian animation and mainly the LGBTQ representativeness to the 190 countries that have access to the service,” the show’s executive producer Marcelo Pereira added.”

The Content

Here’s how the movie streamer proudly describes the show: “During the day, they work in a department store and deal with their uptight b—hy boss. By night, they tighten up their corsets and transform into the baddest Super Drags in town, ready to combat shade and rescue the world’s glitter from the evil villains. Get ready, because the Super Drags are going deeper than you think.”

The series is driven by a “politically correct” LGBT agenda, and it is chock-full of sexual innuendos that are completely inappropriate for young audiences. If you need to see it for yourself to believe it, you can watch the teaser trailer linked here. The camera zooms in showing racy cartoonish images of their chests and behinds during the trailer to show their “transformation.”

(Viewer Caution: 39 second promo video below contains suggestive images.)

The media services provider offers many great shows that young children enjoy:

  • Paddington Bear
  • Tarzan
  • Heidi
  • The Nutcracker
  • The Prince of Egypt

But right alongside offers darker fare:

  • Antboy
  • Coraline
  • The Truman Show for age 10 has “mature themes”
  • Mary and the Witch’s Flower
  • Thunder and the House of Magic for age 5
  • Room on the Broom for age 3

Netflix Target Audience

Netflix offers wholesome shows like “Clifford, the Big Red Dog” and even “Veggie Tales.” Do we really want our children to sit down to watch a ‘fun’ new cartoon series and instead have them lose their innocence to sexually lewd content?  Netflix has taken the skill sets of those who create wholesome, educational content for children and has inserted the dark homosexual agenda into their content.

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By T.R. Clancy

Just when you think the left can’t behave worse, we find the inspiring story of public library officials in a Detroit suburb heroically defending their “children’s story hour hosted by drag queens.”

Since 2017, the Huntington Woods library has been hosting “Drag Queen Story Time,” where little kids are read to by characters like former Miss Motor City Pride, “Miss Raven Divine Cassadine.”  Library official Joyce Krom discovered the San Francisco-born program online, after she followed a Google Alert promoting literacy.  Huntington Woods, a “progressive, diverse community,” shares borders with three other woke towns – Ferndale, Royal Oak, and Berkley – which taken together constitute the highest concentration of “CoeXist” bumper stickers outside of California.  Consequently, nearly all city officials fully support DQSH, because they want to keep their jobs.  But one city commissioner, Allison Iversen, a mother of four who resigned her seat last month to move to another city, dared to push back.  In an email to librarian Krom, Iverson questioned the wisdom of DQSH “trying to push this idea that this is something … completely natural.”  Iverson also worried that “the program could be ‘planting a seed’ about gender fluidity in children who would have otherwise never had to wrestle with the issue in their own lives.”

Part-time library clerk Jon Pickell, “who has proudly watched the program thrive,” rejects Iverson’s concerns as “hogwash.”  The clerk, who identifies as gay, says DQSH “is not promoting anything.  You’re not going to end up as transsexual … because you saw a drag queen story hour.”

But according to the mission statement on the program’s Facebook page, DQSH is indeed promoting something:

DQS captures the imagination and play of the gender fluidity of childhood and gives kids glamorous, positive, and unabashedly queer role models. In spaces like this, kids are able to see people who defy rigid gender restrictions and imagine a world where people can present as they wish, where dress up is real.

Role models are exactly that – models of behavior that adults want children to admire and emulate.  Ideally, a child learns from the behavior and values of the role model and wants to do likewise.  And what’s being promoted by Drag Queen Story Hour is being “unabashedly queer.”

Enlightened parents are bringing their small kids to see a drag queen because they want them to experience “all sorts of people.”  But this story time isn’t just listening to a drag queen tell his own story, and it’s for certain not about literacy.  The goal is that the children “play” with their own identities, exploring “the gender fluidity of childhood.”  There’s a  testimonial on the DQSH website from a first-grade teacher who held Drag Queen Story Hour for his class.  He triumphantly describes what his pupils told him afterward, “[d]uring our debrief”: “they were preaching the incredible lessons they had learned, like ‘It’s OK to be different’ and ‘There’s no such things as “boy” things and “girl” things.'”  So which is creepier:  the idea of six-year-olds being “debriefed” after a pro-trans school activity, or that they come out of it “preaching” a first-grader’s version of queer theory.  It sounds positively evangelistic.

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